Editing
Structure and pace
Documentaries, commercials, podcasts and creator channels. We shape your footage into a cut with rhythm, then handle sound and clean-up so it holds up anywhere it plays.
How editing works
Video & Photo Studio
An edit that serves the story, not itself.
DUMITRU PRISĂCARU is one editor, a fixed quote, and a finished film. We handle the edit, the grade and the retouch, and we hand the final files over on the day we said.
Plain-language notes
You know the price before a single frame is cut.
Clear feedback
Every project starts from a written brief, agreed before work.
Written scope
Feedback in clear sentences, never vague adjectives.
One editor
You talk directly to the person doing the work.
01 — Services
Three services, one standard of care
Whatever you need finished, it starts the same way: scope on paper, price in writing, date locked.
Color
Match, balance, finish
A look that belongs to your film, not a preset menu. We match scenes, build a palette, and finish in the formats your platform actually accepts.
How color works
Retouching
Detail work
Portraits, products and editorial work, cleaned and balanced without that plastic look. Skin stays skin, texture stays texture, and the client stays happy.
How retouching works
02 — Recent work
A handful of recent projects
03 — The studio
Small on purpose. Careful by design.
DUMITRU PRISĂCARU is a one-person post house, run by DUMITRU PRISĂCARU out of Chișinău, Moldova, working with clients in fourteen countries. Small by choice — because a single careful editor, reachable by email, is usually better than a production line.
The studio stays small on purpose: a short roster, a written brief, and a fixed date on every project. Nothing drifts.
- Written brief and scope before any work starts
- Secure file delivery and confidentiality by default
- Feedback in clear notes, not vague adjectives
19Countries
190+Projects
5 yrsIn post
42Repeat clients
04 — How it works
How a project actually runs
Deposit
Half the fixed price books your slot. The rest is due when you receive the finished files.
Scope
What is included, what is extra, and the deadline — all written down before work.
Cut
You get a first cut for feedback, then structured revision rounds until the brief is met.
Quote
Fixed price and committed date in writing; half upfront books the slot.
05 — Journal
Notes from the timeline
What to do with footage that has no B-roll
Editing a story when the shoot came back thin, and the fixes that never look like fixes.
Read the piece
Skintones, saturation and the other tells of an amateur grade
The five habits that make a grade read as a filter, and the honest fix for each.
Read the piece
The retoucher’s checklist before export
The three or four things every finished retouch should pass before it leaves your desk.
Read the piece
06 — Client words
What clients said when it was done
“
We needed forty images in a week for a launch. They came back on day four, and the print looked better than the brief.
Ana-Maria StanMerchandising lead, Cluj
“
She cut our conference film down to a length that still told the whole story.
Lukas WeberEvents lead, Munich
Quotes reflect individual client experiences. Results vary by project and are not a guarantee of any outcome.
Got footage that's waiting for its final version?
Send a brief and a deadline. You'll get a fixed quote back within one working day.